We are well along in our 
Still Life in Watercolor course, and I have many excellent results from students to show you this week.  The paintings below are based on assignments (painted at home) such as:
- Painting a shiny object
- Painting a transparent object
- Vegetables and fruit
- Painting a table setting in a loose, painterly style
Students have either created their own set-ups, and then photographed them or painted from life.  Or they have worked from a reference photo provided by me, such as the "shiny little creamer", the "gardenia in a glass vase", or the "Blu' Island Bistro breakfast".  Tell us what you think by making a comment at the bottom!
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| Gloria Tanton     Lenten Roses | 
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| Angela Lacy       Gardenia | 
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| Ann Williams       Shiny Creamer | 
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| Jean Perretta       Shiny Creamer | 
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| Patty Corridon       Shiny Creamer |  |  | 
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| Sue Adams       Shiny Creamer | 
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| Susan Wittenberg       Shiny Creamer | 
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| Beth Dugan       Shiny Objects | 
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| Meredith Ramsay       Silver Cup | 
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| Mimi Hegler       Silver Pot and Shells | 
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| Angela Lacy       Still Life with Tulips | 
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| Ann Williams       Breakfast at Blu' Island | 
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| Cecile Kirkpatrick      Fruit and Flowers and Blu' Island | 
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| Gregory Keating      Flowers and OJ at Blu' Island | 
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| Susan Taylor       Fruit and Grits at Blu' Island Bistro | 
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| Ruth Sentelle       Fruit and Grits for Breakfast | 
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| Nancy Preuss       Still Life with Fruit and Flowers | 
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| Mimi Hegler       Ducky Teapot and Strawberries | 
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| Phyllis McElmurry       Ceramic Jug and Fruit | 
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| Toni Tiu       Mums and Mugs at Blu' Island Bistro | 
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| Sally Drew      Peppers at the Farmer's Market | 
 
Well done!
ReplyDeleteIsn't it fascinating to see the same reference photo painted by different artists? Each one so different and unique in their own way but inspired from the same source! Just gorgeous!
ReplyDeleteThanks for your comment, Deanna! You must be referring mainly to the "Shiny Creamer" paintings, and yes, it was interesting to see all the different interpretations of the same photograph that many people chose to work from. They actually all came out very well. I suppose you could attach the reference photo to the back of the painting, just for fun, but I think most people would question the wisdom of this!
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